Quiet Craftsman: Jeronimo Pulega and the Family Behind Forte Bathroom & Kitchen

A short portrait

He is the kind of figure who anchors a family story and a small business at the same time: practical, steady, and mostly—by design—out of the spotlight. Jeronimo Pulega is a New York–area construction contractor and the principal of Forte Bathroom & Kitchen LLC, a remodeling firm based in the Westchester/New Rochelle region. Public records and company listings identify him as owner and operator; his public presence otherwise is modest and chiefly tied to his role as spouse to actress Francesca Curran. The tale that emerges from available material is equal parts craft and quiet partnership: a small-business owner who keeps the tools sharp and lets his partner take the stage.

Basic information

Early life and arrival in the United States

The picture of Jeronimo’s early life is sketched in broad strokes rather than rich portraiture. Regional accounts place his origins outside the U.S. and indicate a move to the New York area around 2011. If one imagines that move as a hinge moment, it is easy to see the pattern that follows: arrival, work in construction and renovation, then local entrepreneurship. The timeline is not drawn in exhaustive detail, but the sequence—immigrant beginnings, hands-on trade experience, launching a small firm—reads like a common arc for many builders who turn on-the-job learning into a licensed business.

Business and craft: Forte Bathroom & Kitchen

Forte Bathroom & Kitchen LLC is the locomotive of the narrative. The company is a small, locally focused remodeling firm that markets bathroom and kitchen renovations, maintains a showroom/portfolio presence, and registers project permits in the Westchester/New Rochelle area. As owner and principal, Jeronimo is the face of the contracting activity on business records and contractor listings.

Numbers tell part of the story: permit activity shows projects continuing into 2024 and 2025, reviews on local platforms include several positive ratings, and portfolio images indicate a range of residential remodels. These are the practical metrics of a trades business: jobs completed, permits filed, and clients who leave stars and short notes. The work itself—stripping tile, reworking plumbing, fitting cabinets—sits far from celebrity glare, and that distance is part of his public identity.

Family and public presence

The most visible human connection in Jeronimo’s public record is his marriage to actress Francesca Curran. In public interviews and social media posts by the actress, he is referenced as her husband. That relationship is the primary way his name appears in national or lifestyle press; otherwise, his mentions are concentrated in local business listings and regional human-interest pieces.

There is no widely available public record listing children for the couple, nor is there an extensive personal profile that maps out family members beyond the marital connection. On social media, there are several similarly named profiles that could plausibly be personal or business accounts, but they cannot be conclusively matched to his company without direct cross-references. In short, the family portrait is present but selectively public: the marital tie is visible, while other domestic details remain private or unreported.

Timeline of notable dates and activity

What the public record reveals — and what it does not

There is a clear boundary between professional records and personal biography in Jeronimo’s available public footprint. Business registration, contractor licensing, project permits, and local client reviews form the backbone of verifiable information about his professional life. Those are firm, documentable facts: a licensed contractor, a small-business owner, operating in a specific regional market, completing residential projects.

Beyond that backbone, the record quickly thins. There is no dedicated long-form profile, no financial disclosures or net-worth estimates, and no extended public family tree. Human-interest reporting provides color—origin stories, how two people met, the serendipity of a relationship—but these items come with varying degrees of confidence and are treated as supplementary, not definitive.

Reputation, reviews, and local footprint

A small business’s reputation is often measured in short sentences and star ratings. Local review pages and a handful of platform reviews mention the company and sometimes the proprietor by name. Positive customer feedback, photographic portfolios, and an ongoing pattern of permits and projects together indicate an active business that has continued across multiple years. The measure of success here is practical: repeatable work, community presence, and visible project output.

The profile of a private life near public light

The juxtaposition is notable. On one hand, Jeronimo runs a business that is by nature public: clients, permits, and reviews are visible. On the other hand, he maintains the privacy often preferred by people whose partner is a public performer. He is the working partner behind the scenes. He appears in family references and posts, but does not seek the limelight.

If the public record were a house, the business records would be the foundation—concrete, visible, and testable—while the personal narrative would be the rooms people glimpse only through an open door. That combination is increasingly common: private individuals carrying visible roles in their communities while keeping their private lives intentionally modest.

Numbers and practical facts to remember

A final frame

Jerónimo Pulega’s story is not a headline biography; it is a practical account of trade, partnership, and small-business stewardship. The contours you can draw from public material are firm where they need to be—business registration, licensing, and ongoing project work—and more suggestive where private life begins. He exemplifies an archetype: the craftsman who builds structures and quietly supports a family life that often intersects with public attention, but whose own public footprint remains measured and local.